A lot of my endeavors tend to collect up against each other or tie into each other eventually, and not just in the piles that accumulate all over the studio. I have a love of pattern, a deep and abiding joy in colors, and I just adore a good black outline. And although I am willing to admit that I am addicted to buzz I get from a good strong jolt of color, I also do a lot of work in black and white and find the clarity of composition in a pen drawing to be very compelling. Am I caught betwixt and between the B/W vs. Color issue? No indeed, there’s room in my heart and my studio for both.
As an example of how things tend to mix it up, both in my head and in my eventual finished product, here’s a look at a drawing I did a long time ago. It began with black ink and my trusty Rapidiograph pen, long since traded in for Micron pens that don’t clog! I made sure to make a master copy of the drawing before I colored it in, because I though other people might enjoy coloring the pictures too–so I have sold the set of 10 drawings as a coloring folio over the years. I still get a kick out of the details, if I do say so myself.
After I finished the pen and ink drawings, I had a lovely week of coloring fun for myself. It was a treat! I prefer Prismacolor markers, the kind with a chisel tip on one end and a point tip on the other. They are very versatile. They can be used to ink in designs on polymer clay as well as on paper, and don’t bleed into the clay. Here’s a look at the same page, with the color added. I used the Print On Demand publishing capabilities at Lulu.com to create a calendar that features my Little Piggy drawings and silk painted borders by Chris Murphy. The calendar is available through my own publishing imprint, Polymarket Press. Lulu makes it possible for the enterprising author/artist to create and publish with no minimum print runs. It is a fabulous online resource for all creative entrepreneurs. Recently, I took the scans of the drawings that were used to create the calendar and reduced them using Adobe Photoshop. Using photopaper copies printed out here in the studio, I transferred the colorful images to polymer clay. That’s the bitty-book you see at the top of this post. It won in last years designer competition sponsored by AMACO. All the pages are made of FIMO polymer clay with liquid clay transfers. For more info about this process, click here.