Archive for the ‘Masks’ Category

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June 22, 2009

Rumseymasks09Click the pic to see a larger version.

These whimsical wonders are 10 more miniature polymer clay masks from the 2009 Internet Mask Swap. Created by Ellen Bellenot Rumsey, these little works of art are each small enough to fit in a three inch square. She’s used an amazing array of textures and colorful pearl-ex powders. The mica in the powders and in the gold polymer clay give it all incredible glowing lustre.

I’m taking a few hours away from my school work to catch up on taking pictures from the Mask Swap and from the Dyeing Days. These are two huge annual events that take around a week to put together and somehow managed to both happen within a month of each other this year, and along with going back to school full time. We got tremendous amounts done and both events went very well, but I havent had any time to chronicle and share the results.In fact, the massive amount of reading and computer time I put in for the 4 classes I’m taking leave my eyes feeling as though they look very much like the ones in these masks.

I’m going to play hooky  from homework once in a while and get some pictures up, so look for more soon!  IS it playing hooky to take pics and edit them in photoshop when your classes are in digital photography and photoshop2?  hmmm, perhaps I should take an ethics class and see if my homework there answers the question there…

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Miniature Polymer Clay Mask Swap 2009

May 16, 2009

Cowles2009
Whew! What a huge undertaking, and what wonderful, amazing small rewards! I mean small as in “miniature”, or specifically “fits inside a three inch square” (more or less). Several years ago I was invited to take part in a Polymer Clay Miniature Mask Swap by Sherry Bailey. I was in one of the several groups, and sent in my masks. Shortly thereafter I got my box of goodies, and kicked myself all around the room for not having been in every group—there were pictures included and I missed out on some real gems. I vowed never to repeat THAT mistake! And also to be in another mask swap ASAP. I ended up taking over the job and expanding the number of participants (my artistic greed knows little about bounderies or sensible work loads in some areas…)

So for the last few years, there’ve ben annual swaps that attract wonderful artists who ALSO want collections of these minimarvels. When announced, interested parties sign up for one, two, or three groups of ten. The SwapMistress (thats me, in this case) keeps track of who signs up, and fills the groups. We do a total of ten groups of ten people. For each group, the participant sends in ten masks, all signed/with a card and bagged. When they are all here, my husband and I alphabetize the incoming boxes for easier finding, and then start filling up Group Bags by lining up the brown paper lunch bags. Starting with 10 bags marked “A” we check the All Powerful List  and take out each participant’s set one at a time–If Mary is in group A, we put one of her masks in each bag, and the same with the other 9 participants. At the end, each person in Group A will get a Group A bag mailed back to them, containing one of their own and one of each of the other 9 people’s masks. Sounds fairly simple, right? It kindof is…except then we do it for B, C, D, E, F, G, H I and J groups. This generally takes a full day–there are a thousand little masks. Then, the next day, my dear sweet hubby and I start packing boxes. If Mary was in Group A, D and F, we pull an A, D and F bag and put it aside for her in a grocery bag marked with her name and the groups (cross checking is pretty important!! ) with the mailing lable and postage she sent. This also takes a day or so…and then there’s the packing and sealing of the boxes, and three hours or so at the Post Office.

I, being the SwapMistress and therefore In Charge, get to violate the “three groups” thing and be in ALL ten groups. This is great because I get to keep one from every person in every group–no more missed gems!! Except of course for the people that make it harder to choose by sending ten that are all different for their sets.  Then I still only get to keep one, but I DO have the opportunity to unbag and photograph them all, then rebag before putting them into the group bags.  So I say it again—its a huge undertaking, but OH-so-worth-the -effort.  I end up making and giving away 100 miniature masks, and getting 100 masks to keep. All are individual works of art showing a vast array of techniques. All have miniature size and polymer clay in common, and “masks” as a theme, but all are astoundingly different interpretations of that theme. I will be photographing the collection that I have gathered over this decade, and putting them in a book, but I’ll share a few of them here on this blog, and you can see some masks from previous years here.

The group of ten Warm and Cool Masks shown above was sent in by Karen Cowles. The two masks below made using the alcohol inks on polymer clay were sent in by Nina Owens. The light was fading and I only had time to take a few pics. I took more the next day, so watch for future posts! You can also see more at other participants’ blogs like these by Laurel Steven and Tonja . Click the pics to see them larger.

Owens2009

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NEW book!! Making Faces Molds & Forms

August 17, 2008

Book Cover–Making Faces Molds & Forms, originally uploaded by sarajane helm.

This is the front cover of my newest book–”Making Faces Molds & Forms”

It is a how-to guide to sculpting faces from polymer clay and using 2part RTV silicones to make molds; and thats just a start! Then I show how to use the molds to make many different faces, and use them in doll making, altered art, collage, jewelry, and more.

This book will debut in late October 2008, in time for the International Quilt Festival in Houston Texas.
(Its ALMOST finished!!)

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Masks and More

July 25, 2008

mask and moonlight

I just returned from the Tougaloo College Summer Art Colony in Jackson Mississippi. This year was #12 for this week long celebration of art. Its also the second time that I’ve been there as an instructor. Our class made masks, spirit dolls, icons and boxes, beads and more…all with polymer clay.  Click here to read more about it and follow the links to see what we made!

The mask shown above is a full sized domino style mask. We also made a lot of miniature masks, making the original sculpt and then creating silicone molds using Amazing Mold Putty  by Alumilite. The bacground in the banner is a digital picture of the night sky with full moon as sseen from campus. The picture didnt come out all that well–but parts of it are beautiful, and as instructor Carmen Hathaway (Digital Dreams) tells her students, the original photograph is just the starting point. I would have eagerly taken her class–or any of the other classes given by VERY talented instructors. Seeing what other artists do, and speaking openly with them about making and marketing art is tremendously inspiring and helpful. I had a wonderful time at the Artists Colony, and I encourage everyone to spend some time this summer viewing the work of other artists and making more of your own!

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A Smashing Time, Dahling!

July 25, 2008
I went to Jackson Mississippi and conducted a week long seminar at Tougaloo College Summer Art Colony where we explored the uses of polymer clay. We had a wonderful time!
Click here to read more about this fabulous event and follow the links to see what we made…lots of masks, and some spirit dolls too!
The only “downside” to the week were travel oriented, and even that wasnt too unexpected or awful. My luggage is ALWAYS gone through, so I’m careful to put all my blades in metal tool boxes (lunchboxes from American Science and Surplus ) that have a flat magnet on the lid. Meant to hold a business card, I put these magnets on the inside of the lid, and they do a great job of holding all the extremely sharp blades flat to the surface so that nobody gets hurt. The pointed sticks, though, people will just have to watch for themselves when rummaging through my things. And the multiple X-Acto knives, and the cookie cutters…. Ok, so I have potentially dangerous  luggage. I find it to be MOST dangerous when I’m hauling both 49 pound check-in bags and my 30 pound carry-on and the ten pound purse by myself across the concourse, trying to make it to the next stop. A pasta machine can leave a pretty good bruise, if you arent carefull! But the BIGGEST danger was to my luggage itself this time. After 5 years of vigorous travel experiences, my favorite toolbox got a little smashed. Its fixable—just a few pieces broke, includint the nose of the face. I was wondering when it WOULD break, actually! We tell students about “The ToyBox Test” in which I rated the strenghths of various brands of clay by making miniature teapots and putting them in my son’s toybox with the tonka trucks, etc. and then checking on them several weeks later. The FIMO and CFC (this became Premo) teapots were OK, the Cernit teapot had a ding in its spout, and the Sculpy teapot was some colorful chunky dust on the bottom of the box.  This test can also be done as The Bottom Of The Purse Test for those without a toybox and helpful assistants. Or, The Airport Test! This Premo clay made it through quite a few trips before coming to its smashing conclusion. And since I felt a little bashed myself (can they MAKE those airplane aisles and seats any narrower??) I do understand!