We’re Moving!

I’m relocating this site to a self-hosted version that offers LOTS more options and some cool tools for me as web mistress. Please do visit at:

http://creative-connections.us

Back In The Swim

Not that I’ve exactly been lollygagging on the divan eating bonbons watching Oprah–in fact, I hear she’s not even on tv any more. Not that I would have had time to notice however, with a very busy summer! It has led up to a very busy Fall semester, coming right up starting on Monday. I’m looking forward to it, with great classes to take and to teach and lots more art to produce, plus the upcoming International Quilt Festival in Houston to continue preparing for, in November.

Here are three mermaids that I finished up in ceramics this summer. One broke, but she’s lovely anyway and will be displayed with some strategically placed fishnet to cover her cracks. I like them, and will make a couple more soon, including one as a fountain for a friend’s garden.

A Splash Of Color

Actually, it involves LOTS of splashes and lots of colors–I think we had 43 colors this year at our Annual Dyeing Days event.

As always, it was a marathon event, spanning 10 days of mixing, dying, rinsing, washing and of course cleanup!

This year we added a pole vaulting event. That is to say, we raided the vault which is our garage full of precious stuff–like old pvc pipes–and did some shibori arashi.

This form of resist dyeing (shibori) is done around poles to create an effect that can look like rain in a storm (arashi).

Or it can look like feathers, or leaves. You can see the shibori arashi designs we did this year on garments and fabric yardage in the tiedye slideshow.

Our friends come to dye along with us at these events. Here’s Susan shown unwrapping a shibori arashi dyed shirt.

Here’s the pattern it created on the shirt.

This year as always I dyed lots of fabric–cotton jersey and kona cotton this time as well as some lovely cotton gauze. I also did lots of doll bodies, silk handkerchiefs and lace for making up more Spirit Doll kits, and this time I even did feathers. They took the dye beautifully!

A Little Handiwork

I’ve been busy with all of my classes at Front Range Community College this Spring. That’s true of the classes that I’m taking now, the ones I’m preparing to take in the Fall, and the ones I’m listing to teach this summer through the Continuing Education department. We are still working out final dates as the Boulder County Campus in Longmont CO is closed on Sundays, so the classes listed as being on Sunday now will be moving to a different day, probably Friday. But that’s ok–online registration isn’t open yet anyway. I’ll update the dates and the links to register very soon, but for now you can take a look at what classes are coming up!  You can also see polymer clay beads on wire pendants I made in our metal jewelry classroom and how I strung the hand bead that I made of ceramics and PMC (Precious Metal Clay) that was featured in the previous post–here it is now.

Crossing The Lines

In addition to teaching classes in polymer clay use through Front Range Community College’s Continuing Education Department, I’m also still taking classes there. I love learning, no matter which side of the flow I may be on at any given moment! This semester I’m taking advanced classes in Adobe Illustrator, Ceramics and Metal/Jewelry. I’m starting to cross the lines from studio to studio now– like using polymer clay originals to make plaster molds for use with ceramics that I then cover with glazes, acrylic paints, polymer clay, or even metal! Or like using PMC (Precious Metal Clay) made into a liquid slip to coat ceramic flowers or faces that I have made by hand forming or by using silicone molds that I made from polymer clay originals…you can see how the lines are beginning to blur!

The items shown here are made with ceramics and PMC silver, and then I use Liver Of Sulfur to give them a patina. You can see the difference between the silver finish that has not been given a patina and those pieces that have been treated here. I much prefer the antiqued effect and the colors that you can get when treating the silver with LOS. Both are pretty darn cool though, and by putting the PMC over ceramics I save a LOT of weight and still get the finish of real silver.